Beholding Light
July 2026
To myself upon beholding light—
Listen to the light’s unfolding—
don’t shade your eyes, but blind
yourself
to hear
more closely—
leaves
like windows lay
themselves
upon your eyes—
light,
heavy
light.
Sunshine through gold and satin
leaves
seethes with
rivulets, and the sweet
sap dripping
down
to me
delights.
Twixt the ever
flowing
autumn
leaves,
stand me and
divinity.
In this series, I sought to capture the awe we feel when bathed in sunlight, the feeling small in the presence of something larger than oneself, something divine.
The series began when I was snapping photos on a clear fall day. I started with formal composition in mind, but the beauty of the sunlit canopy took over. I angled up to catch as much light and foliage as possible, creating a sense of towering height.
The flat background highlights the texture and pattern of leaves, which reminded me of artforms that use light and saturated color to highlight botanical or geometric patterns, like stained glass, brocade, mosaic, and illuminated manuscripts.
The more I played with color editing, the more the textures blended, reminiscent of how light is used in Impressionist painting. It tends toward abstraction, where forms are not hyper detailed, but blend seamlessly. I also drew inspiration from the Fauvists and their unnaturalistic use of bold color.
I wanted to recreate the feel of these artforms, something as striking as Fauvism but more pleasant to the eye, like a beautifully patterned fabric woven with metallic thread.
To achieve this, I combined super saturated complimentary and split complimentary colors. I was only able to achieve these effects due to the clarity of the blue sky and abundance of sunlight on the day I was shooting (especially important because I shoot exclusively in JPEG). By maintaining the original light and heightening it through color, I have been able to reproduce the feeling of being awed in the cathedral of nature.